As with the best dystopian fiction, Chimpanzee taps into many contemporary issues and fears — in this case, everything from the surveillance state to the student-debt crisis. Chimpanzee is a post-collapse novel for those who have become numb to them, and a unique take on a subgenre in sore need of one. The book’s dazzling originality not only helps overcome much of its dryness, it makes it well worth the extra homework.
Happy to announce that I’ll be making my second ever appearance at 1670 AM, Denton’s own Part 15 radio station, helmed by Real Waves out of downtown Little D. Scott Porter and I are going to talk about books and conspiracies and music whatever we want at 2:00 pm, this Sunday, Sept 7. I’ll have a couple of things to give away, so tune in or log on.
Join me this Tuesday, September 9th, for the Chimpanzee Book Release Party, featuring a staged performance from the Chimpanzee Audio-Play and special performances by the Spitfire Tumbleweeds and the Nice-Up Crew.
There have been so many clips that I’ve wanted to share as Grady and I have been putting the finishing touches on the Chimpanzee audio-play, but I’ve restrained myself—after all, I don’t want to give everything away!
But here’s finally one that got past me. Come hear it live on Sept. 9 at the release party at Dan’s Silverleaf here in Denton, TX.
Tim Pratt reviews Chimpanzee in this month’s issue of Locus: “Bradley’s sophomore effort is just as ambitious as his debut, and his voice is more assured, his characters better delineated. Chimpanzee isn’t cheerful stuff, but there’s a revolutionary zeal, and a belief in the power of the mind to effect change in the world, that provides some light in this otherwise bleak dystopia. I’m excited to see what Totem brings.”
Darin is the author of three novels—Noise (2010), Chimpanzee (2014), and Totem (2015)—and co-editor of the literary fringe journal Bahamut. With a Ph.D. in Literature and Theory, he works as an acquisitions and production editor at Resurrection House, having previously spent a number of years teaching writing and literature at several universities. He has also worked as the principal video game writer at id Software and has served in various editorial and design capacities for a number of independent presses and journals. He lives in Texas with his wife, where he dreams of empty places.
In the aftermath of the switch from analog to digital TV, an anarchic movement known as Salvage hijacks the unused airwaves. Mixed in with the static’s random noise are dire warnings of the imminent economic, political, and social collapse of civilization—and cold-blooded lessons on how to survive the fall and prosper in the harsh new order that will inevitably arise from the ashes of the old. Learn more