I’m happy to share that I’ve reached an agreement with Underland Press for the publication of my first collection of short stories, tentatively titled Light Both Foreign and Domestic. Available fall 2017.
Great Jones Street has reprinted “‘Seng, Running,” “Fairyland,” “Syntagm,” and “The Dust and the Red” in their new fiction app. Access is currently free.
I’ll be back at The Wild Detectives to read from Totem as part of my fourth collaboration with Wordspace Dallas. After the reading, fellow North Texan Merritt Tierce and I will have a conversation about writing and books.
The event is November 9 at 7:30. It’s the day after election day, so come join me for a breath of fresh air.
This past weekend, I handed my archive of manuscripts, correspondence, publications, promotional materials, and miscellanea into the careful hands of the preservationists at the Southwest Collection/Special Collections Library at Texas Tech University. We tried to give them Nunchucks, too, but they don’t take cats.
If you’re interested in manuscript publication life cycles and a whole bunch of rejection letters, feel free to drive on out to Lubbock and have a look.
Totem is the third and final installment in the dystopian cluster that began with Noise and continued with Chimpanzee. Each book is an independent take on contemporary dystopia.
Keeping with tradition, the release party will take place at Dan’s Silver Leaf in downtown Denton, TX on October 11 at 8:00 pm. An ensemble of Dentonites, including Brent Best, Courtney Marie, Rima Abunasser, George Neal, and Darin Bradley, will stage a shared reading, accompanied by Aaron White on synthesizer. The Nice-Up Crew will spin records after the reading.
Totem will be available for sale at the event. All ages. Free admission.
Praise for Totem
“In this poetic, intimate, and visionary tale, Darin Bradley deftly explores what happens when international aid, crowdfunding, and online voyeurism gangs up, in a near future that seems almost too close for comfort.”
—Berit Ellingsen, author of Not Dark Yet
“Totem is a prescient apocalyptic vision of the future where religion, science and exploitation mix against a background of occupation and the threat of terrorism. Bradley’s work is a warning, an environmentalist cautionary tale with exquisite world-building.”
—Tade Thompson, Golden Tentacle award-winning author of Rosewater and Making Wolf
“In Totem, Bradley once more brings his fresh vision to dystopia. This lyrical, nuanced portrait of a city forced to run on spectacle will haunt you well after it’s over.”
—Bonnie Jo Stufflebeam, author of Strange Monsters
“Incisive, scathing, and smart as hell, Darin Bradley’s Totem, like his previous novel Chimpanzee, confronts us with the best and rarest kind of dystopia: that which only gently distorts and extrapolates from our own lived reality, leaving us with a world whose sociopolitical horrors are uncomfortably easy to recognize.”
—Nicole Kornher-Stace, author of Archivist Wasp
“A Canticle for Leibowitz meets The Truman Show meets HOLY CRAP WHAT IS THIS DELICIOUS STUFF!”
—Nick Mamatas, author of Sensation and I Am Providence
Once the capital of a global empire, Aer is now only a global protectorate. One of the eight wonders of the ancient world, Aer is a cradle of civilization, preserved by international aid and foreign interest, primarily Worldview, an international media network. Worldview has wired Aer so thoroughly that subscribers around the world can interact with every facet of daily life in the ancient city. Pinhole lenses and mobile cameras and embedded microphones export the challenges, dramas, and simple joys of Aeri life to those whose donations keep it alive. Because, without them, the Aeri will die.
Aer has been quarried for millennia from the world’s rarest stone deposit, and this prize, the Aeri birthright, is the centerpiece of Aer’s ancient religion: the belief in God in the stone itself. In ages past, the inspired dialogs of the saints were the empire’s greatest export, carrying the truth that God’s presence morphs the faithful into their true form. But the stone, we now know, is radioactive. It always has been, and it has been twisting the Aeri across the generations, reforming their bodies into their final states.
The international community now keeps the Aeri alive with radiation abatement, food aid, health care, and the sundries of daily life. Aer is a shared cultural gem, a mitigating presence in an unstable region. It is a link to a past when God walked the Earth, and empires rose on the power of belief. But there is trouble in paradise. Belan and Vesse are in their twenties, as bored and idle as the others their age, struggling to find meaning in a world where they want for nothing. With their lives writ large for Worldview’s never-sleeping eyes, the couple find themselves at the epicenter of a cultural awakening, and their efforts to navigate the truths of the new Aer have consequences for everyone.
Totem is the final installment in Darin Bradley’s thematically linked “Dystopian Cluster.” This is voyeuristic terrorism in a world where religion has gone viral and Big Brother works hand in hand with UNESCO.
My latest short story, “How Nothing Happens,” a nihilistic deconstruction of cyberpunk, will appear in the forthcoming Cyber World: Tales of Humanity’s Tomorrow, edited by Jason Heller. From the publisher’s website:
Cybernetics. Neuroscience. Nanotechnology. Genetic engineering. Hacktivism. Transhumanism. The world of tomorrow is already here, and the technological changes we all face have inspired a new wave of stories to address our fears, hopes, dreams, and desires as Homo sapiens evolves—or not—into its next incarnation. Cyber World presents diverse tales of humanity’s tomorrow, as told by some of today’s most gripping science fiction visionaries.